by Mostyn (off of Dinsmore & Mostyn)

Father has been bitten by the writer’s bug.
After watching my dilatory twonk of a PA (that illiterate oaf Scotty) typing away at his little PineappleMac (or somesuch contraption), Father decided that there must be money to be made in writing words.
His aim, therefore, is to write the Christmas special of quality BBC adventure drama “Bonekickers”, before next year submitting a screenplay for a big Hollywood film featuring Harrison Ford, Russell Brand and Anne Diamond… so he got his faithful old quill out of the drawer and began scribbling.
But first he knew he must start at the bottom (ever a man of humility) so he decided to write some scripts for Dinsmore and I to use in our everyday lives.
Father’s rationale is that the great existential thinkers such as Alfred Camus and Jean-Paul Gaultier believed in predestination, i.e. the idea of “life’s script being pre-written for us by God”, so therefore Father has decided to get up early every morning and write all of our dialogue for the day.
Dinsmore and myself both greeted this idea with much scepticism, as we feel that being two rather verbose dandies, our naturally sharp and saucy banter – all conceived spontaneously, I rushen to add – is the talk of the town. Observe if you will a conversation Dinsmore and I had only last Monday morning:
- MOSTYN – Good morning, Dinsmore.
- DINSMORE - Good morning, Mostyn.
- MOSTYN – Isn’t it a lovely day today?
- DINSMORE – Yes – it is.
- MOSTYN - Yes.
- MOSTYN – That’s a nice cravat, Dinsmore.
- DINSMORE – Thank you, Mostyn.
- DINSMORE - Have you been drinking, Mostyn?
- MOSTYN - Yes, Dinsmore. Heavily.
You see? Pure quality banter; witty and yet philosophical. You could not ever script better.
But anyway, Father forced Dinsmore and myself to go into Fennybough village with our scripts and get on with our lives as normal, only with better dialogue (his words).
Unfortunately, Father’s currently literary style owes much to the only three written documents he has ever read: the screenplays of Goodfellas, Pulp Fiction, as well as a script from series three of ‘Til Death Do Us Part, so Dinsmore and I did not go down so well in the parts of the village with better-priced properties.
For example, by the church, Reverend Rubbs was so taken aback by our fruity expletives that he had to have a little sit down, while Mrs Berlingo of the WI had a heart attack – as did Deputy Mayor Cecil Pimmingot (he of the delicate sensibilities), who died.
Then things took a turn for the even worse when Dinsmore and I suddenly remembered that we had agreed to address the annual meeting of the Fennybough Liberal-Ethical Equal-Rights-For-The-Incestuous Association in the market square on that very afternoon.
Association members arriving for the meeting:

Not wishing to deviate from my script (due to Father’s threats to cut my allowance if I did so) we continuized as scripted, with it all going down well until I declared (as written) my fervent dislike of “those darn motherf***ers” – in line with a similar quotation made by Samuel L Jackson from one of the aforementioned films.
Suffice it to say, there was a riot. And I was arrested, a victim of trendy-wet political correctness once more.
Dinsmore managed to avoid being detained by the relevant authorities, due in no small part to his (admittedly exceptional) Tony Benn disguise, and he was last seen taking a not-unattractive mother-and-daughter pairing from the Association out to elevenses.
Sometimes a script editor can be a valuable asset.
So until my liberation, I urge you: be careful out there…